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View Full Version : Nick Vs. Their Writers... Once More Again!


pencilsharp
12-24-2001, 03:43 PM
Hi, kids!
I've written about this topic before, and it just didn't seem to catch many eyes, but there is some new info that I find quite interesting... You can read the entire article from LA Weekly here. (http://www.laweekly.com/ink/02/05/news-gagliano.shtml) But this is the gist of it...

It's fairly obvious that Nick is making a tidy little bundle off of their animated properties. What we never knew was just how much. Howzabout $887 million in ad revenues? Only ESPN had more. A Writer's Guild of America - West (WGAw) rep used Hey Arnold! as an example of Nick's business model. He stated in the aforementioned article that Nick aired Arnold eps about 900 times (!) in the year 2000 alone. He further estimates each ep's production cost at $500K with respective ad revenues per ep of $14 million.

Okay. I have no idea just how far I'd be willing to trust any kind of crunched numbers, especially from a union rep trying to enter a shop with hostile management. Still, that does make sense when considering how often Nick's shows repeat. Oh, and don't forget all of the merchandising involved.

Problem is, if the WGAw can force its way into Nickelodeon Animation Studios, would Nick or its parent Viacom cut the studio loose just to keep unions out of its equation? And could that be the reason for MTV Animation's demise?

What do you guys think? And how does this compare to Cartoon Network's performance?

Maxie Zeus
12-24-2001, 05:17 PM
That's a fascinating article; thanks for pointing it out.

Yeah, I'm not sure I'd trust the union's figures, but I wouldn't trust Nick's figures either. Hollywood accounting, you know. ;)

I would be interested also in hearing about CN's business model. It seems different than Nick's in at least one respect: CN seems much more willing to buy new episodes of its series (like "Dexter's Lab") than simply make a set number of them and then shut it down. Then too, CN (unlike Nick) has a huge library of programming that was paid for long ago (from Looney Tunes to Scooby Doo) unencumbered by any kind of residuals, and so whose ad revenue is just gravy. That must give them a much plusher cushion.

pencilsharp
12-25-2001, 05:00 PM
Don't forget all the auxillary cash they get. CN and Nick (and just about every other cable channel) get up to 10 cents per household from "your local cable or satellite provider" for broadcast rights. Then, natch, there's all that yummy merchandising money to be made for the rights to slap their characters' faces all over anything. And remember all those DVDs and videos add up quickly.

I don't think creator residuals are too much of a demand. But knowing Nick, they'll just throw on more eps of "Double Dare" to avoid paying for all those repeats.

It worked for 'em back in the 80s...